Portfolio: 2022 to present

Artist Bio

Sol Skelton is a multimedia artist currently living in Vancouver, BC on the unceded territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilwətaɁɬ (Tsleil-Waututh). He moved from Brooklyn to Vancouver in 2021 to study Cognitive Systems and Visual Art at the University of British Columbia. He will be graduating May 2025.

Sol investigates the systems which surveil and divide populations, particularly those which act directly on the body. These systems are wide ranging, from societal norms, to government and corporate regulation, and the network of technologies which mediate separation and connection. He is interested in the relationship between cognition–both natural and artificial–and body.

Sol's work seeks to push against restrictive, oppressive categorization. His study of perception and cognition informs his view of human experience as something which is inherently communal and interrelated.

Illustrations

Dagmar
2024
Ballpoint pen on paper
2.5 x 4 inches

Conversion on the way to Damascus, Caravaggio (Study)
2023
Ballpoint pen on paper
2.5 x 4 inches


Calling of Saint Matthew, Caravaggio (Study)
2024
Ballpoint pen on paper
2 x 2 inches


Ballpoint pen illustrations like these are available by commission!


An illustration of the size and detail shown above starts at $30 for monochrome and $40 for multi-color.
A more detailed image like Conversion on the Way to Damascus (in red ink, above) would be higher priced, at $45 for monochrome.
These prices are for small scale, 2 to 5 inch or 5 to 15 centimeter illustrations.
For more information or to request a commission, contact me here or through the contact page in the menu.

Prints of any works shown below are also available upon request.

Technology and the Body

untitled
2024
Digital installation with projection (TouchDesigner)

All Hail the Machine
2023
Acrylic and paper on canvas
50 x 55 inches

Who's Afraid of Borders
2024
Acrylic on canvas
50 x 50 inches

All Hail the Machine

For a class assignment on “western tradition.”
Stylistic inspiration: Caravaggio, tenebrism light as symbol of God; the facial features are compiled from other Baroque religious artworks.

Majority of society's relationship with God/religion changing; other non-traditional figures/concepts taking its place. Some are reverent towards technological power in a way that approaches divine worship, especially when it comes to AI.

Artificial General intelligence (which is the theoretical AI which is non-specialized) is referred to as all-knowing, even potentially all-powerful, and the digital world it-and we- inhabit is infinitely vast, immediate, intangible. The dichotomy between “science” and “religion” is collapsed and turned on its head; God ruled the past, and the computer will rule the future.

Who’s afraid of borders?

Borders delineate category; nation/nationalized identity, sex/sexual identity: national borders exemplify this in the legal scrutiny and designation of sexed bodies, with non-conforming, atypical sexed and gendered bodies being subjected to interrogation and humiliation.
“Body as landscape.”



Exploratory Project

Across sketch paper, I collaged paper-carvings and sketches with paint, gesso, and writing in pen.



Untitled
2024
Gesso, ink, and paint marker on paper
40 x 15 inches

Untitled
2024
Acrylic, gesso, ink, charcoal, paint marker, and graphite on paper
Dimensions variable

Untitled
2024
Acrylic, gesso, ink, and graphite on paper
24 x 40 inches

Untitled
2024
Gesso on paper
24 x 40 inches

Untitled
2024
Acrylic, gesso, ink, and charcoal on paper
24 x 40 inches

Untitled
2024
Acrylic, gesso, ink, and graphite on paper
24 x 40 inches



Informatics Series

These works began as material play; I started using a compass on paper to carve lines and circles. On some, I left the paper as-is, some, I rubbed with charcoal or dry-brushed with acrylic.

Untitled (Informatics)
2024
Charcoal on paper
18 x 12 inches

Untitled (Informatics)
2024
Paper
9 x 12 inches

Untitled (Informatics)
2024
Graphite on paper
6 x 9 inches

Untitled (Informatics)
2024
Charcoal on paper
9 x 12 inches

Untitled (Informatics)
2024
Acrylic on paper
9 x 12 inches

Untitled (Informatics)
2024
Graphite on paper
9 x 12 inches

Pareidolia Series

Surrealism; abstraction; body/perception/recognition. These are automatic shapes–doodled, then painted. I took inspiration from surrealist movement; allowing “unconscious” to direct mark making. The act of viewing has a similar unconscious effect: pareidolia (the creation of meaning/patterns from perceptual information where there is none). Playing with perceptual effects, the mental creation of the body through viewing it, the freedom of ambiguity.

Untitled (Pareidolia)
2024
Gouache on canvas
12 x 16 inches

Untitled (Pareidolia)
2024
Gouache on paper
9 x 12 inches

Untitled (Pareidolia)
2024
Gouache on paper
9 x 12 inches

Untitled (Pareidolia)
2024
Gouache on paper
9 x 12 inches

Figure/Ground Diptych

Exploring different modes of portraying a nude, playing with the figure/ground relationship.
For the 2nd, I selected the reference (from a stock figure reference site) because it reminded me of Christina’s World and posture had an interesting emotive quality.

Figure/Ground Diptych (1)
2023
Acrylic on paperboard
14 x 20 inches

Figure/Ground Diptych (2)
2023
Gel medium and acrylic on fabric (bedsheet)
14 x 20 inches